EastEnders ’ Vicki Fowler is horrified next week when somebody in the Square catches her and Zack Hudson in a compromising ...

Staff writer Kierra Keegan ranks all Best Picture nominees, asking who should have won, from disappointing misfires to the most deserving film.

Between "They Will Kill You" and "Ready or Not 2," stylized horror-comedy about the underdog has lost its edge.

A bride-to-be says a wedding lately has left her questioning a long-standing tradition, after watching bridesmaids spend nearly an entire day getting ready before the ceremony even began. While the ...

Business for Maggie Gyllenhaal’s The Bride!, starring Jessie Buckley and Christian Bale, is going from bad to worse in its second weekend at the box office. Written and directed by Gyllenhaal, The ...

Frankenstein and his Bride become an undead Bonnie and Clyde in Maggie Gyllenhaal’s riot grrl take on the story. Credit: Courtesy of Warner Bros. Mary Shelley (Jessie Buckley) is dead, but she has ...

It was good news/bad news at a very eventful box office this weekend. First, the good: “Hoppers” had the biggest opening for an original Pixar movie since 2017’s “Coco” with $46 million. Not only did ...

This bride might need life support. Director Maggie Gyllenhaal’s “The Bride!,” a feminist reimagining of “The Bride of Frankenstein,” has collapsed in its box office debut with $7.3 million from 3,304 ...

Add Yahoo as a preferred source to see more of our stories on Google. This bride might need life support. Director Maggie Gyllenhaal’s “The Bride!,” a feminist reimagining of “The Bride of ...

Director Maggie Gyllenhaal is defending the use of sexual violence in her new movie, “The Bride!,” a Frankenstein spin-off that has left critics divided. “I have to say, I felt strongly that the ...

Rohan Naahar is a Weekend News Writer for Collider. From Francois Ozon to David Fincher, he'll watch anything once. He has covered everything from Marvel to the Oscars, and Marvel at the Oscars. He ...

Director Maggie Gyllenhaal tells IndieWire about developing a visual language that brings a monstrous magic to IMAX. When Maggie Gyllenhaal started prep on “The Lost Daughter,” one of the first things ...