Last week, the Coeur d’Alene City Council had a lot on its plate. In addition to regular agenda items, the body was set to select new fire and police chiefs to take over for Coeur d’Alene Fire Chief ...

"Here comes the motherf***ing bride!" insists a spectral Mary Shelley, the quasi-narrator of Maggie Gyllenhaal's The Bride!, who lives solely in the conscience of our titular character. Frankenstein's ...

With just $13.5 million globally against an $80 million production budget, Maggie Gyllenhaal's film is shaping up to be one of the bigger flops of 2026. For Warner Bros., it ends a streak of nine ...

It’s perhaps not all that surprising that The Bride!, a feminist reimagining of a classic monster movie, would open behind Hoppers, the latest Pixar animated feature. But how far behind that The Bride ...

Director Maggie Gyllenhaal is defending the use of sexual violence in her new movie, “The Bride!,” a Frankenstein spin-off that has left critics divided. “I have to say, I felt strongly that the ...

IGN’s only been around for 30 years, but movies have been going for much, much longer than that. And the thing is, so many of them have never been reviewed by us. But that’s where IGN’s Flashback ...

Titular punctuation is the bane of a movie critic’s existence. Is it 28 Days Later or 28 Days Later … ? Do we really have to put quotation marks around “Wuthering Heights,” no matter how often Emerald ...

Bursting at your neck staples to see Maggie Gyllenhaal’s reimagining of The Bride of Frankenstein starring Jessie Buckley and Christian Bale as the undead lovers? The new movie The Bride! is already ...

Instead, her creation is an amalgam of disparate concepts, brought together in defiance of storytelling logic (and the opinions of test-screen audiences). Jessie Buckley stars as Ida, a gangster’s ...

Maggie Gyllenhaal’s “The Bride!” is a big, brash swing at a new “The Bride of Frankenstein” that struggles to cohere its many parts. But I’ll say this for it: It’s alive. Just months after Guillermo ...

Get the latest entertainment news with our free Culture newsletter Her screaming, resuscitated corpse is brought back into 1930s Chicago to right, what Gyllenhaal would argue, is a cinematic wrong.