“Aida” may well be the grandest of the grand operas, but it needs inspired staging and exceptional voices in order to make Verdi’s masterpiece shine. Seattle Opera’s current “Aida” does just that.

That approach was also used for their Turandot two years ago, and now method and team are reunited as Sir Richard Armstrong conducts Aida with Annabel Arden as director and design by Joanna Parker.

Late in the afternoon on Nov. 10, lights began to dim as a packed audience eagerly waited at the Emerson Colonial Theatre. The Boston Lyric Opera’s staging of the classic opera “Aida,” with music by ...

Aida and Princess Amneris both love the Egyptian military hero Radames. He loves Aida, so the jealous Amneris decides to destroy them both. Aida’s father, King Amonasro of Ethiopa, captured and hiding ...

A timeless story of love and betrayal against the backdrop of war, a livestream of the opera, “Aida,” performed by the Metropolitan Opera will be shown Jan. 25 at the O’Shaughnessy Center in Whitefish ...

Performances in N.Y.C. Advertisement Supported by Michael Mayer directs Verdi’s classic as an archaeologist’s discovery, featuring the shining soprano Angel Blue. By Zachary Woolfe For a long time, ...

Earlier this season at the Met, Meade stepped in to sing the title role of Bellini's Norma and also starred as Elisabetta di Valois in Verdi's Don Carlo. Other highlights at the house include her ...

Verdi’s Aida, which is being staged by the world-famous Fondazione Arena di Verona, will merge into the Adelaide Festival when it appears at Adelaide Oval on February 26 and 27, 2027. “I’m ...